ReligionEducationHelen Tworkov is founding editor of Tricycle: The Buddhist Review, the first and only independent Buddhist magazine, and author of Zen in America: Profiles of Five Teachers (North Point Press, 1989; Kodansha, 1994). She first encountered Buddhism in Asia in the 1960s and has studied in both the Zen and Tibetan traditions. Since 2006 she has been a student of the and Tibetan master, and has most recently assisted him in the writing of Turning Confusion into Clarity: A Guide to the Foundation Practices of Tibetan Buddhism, from under its Snow Lion imprint.Bibliography.
Tworkov, Helen (1989). Zen in America: Profiles of Five Teachers. North Point Press. (Expanded edition published by Kodansha in 1994.)References.
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Full text of 'Music Culturesin the United StatesMusic Culturesin the United StatesAn IntroductionEdited byEllen KoskoffROUTLEDGENEW YORK AND LONDONPublished in 2005 byRoutledge270 Madison AvenueNew York, NY 1001 6Published in Great Britain byRoutledge2 Park SquareMilton Park, Abingdon,Oxon OX14 4RN U.K.www.routledge.co.ukCopyright © 2005 by RoutledgeSnapshot 3.2: Funk by Portia K. 75-81 ) was completed while the author wasa fellow at the Center for Advanced Study in the Behavioral Sciences, (1 999-2000)Stanford, California.Routledge is an imprint of the Taylor & Francis Group.This edition published in the Taylor & Francis e-Library, 2005.' To purchase your own copy of this or any of Taylor & Francis or Routledge'scollection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.' All rights reserved. No part of this book may be reprinted or reproduced or utilized in anyform or by any electronic, mechanical, or other means, now known or hereafter invented,including photocopying and recording, or in any information storage or retrieval systemwithout permission in writing from the publisher.Library of Congress Cataloging-in-Publication DataMusic cultures in the United States: an introduction / Ellen Koskoff, editor,p. Cm.Includes bibliographical references and index.ISBN 0-415-96588-8 (hb: alk.
Paper)-ISBN 0-415-96589-6 (pb: alk. Music— Social aspects— United States. Music — United States— History and criticism.I.
Koskoff, Ellen, 1943-ML3917.U6M.4'842'0973-dc53ISBN 0-203-99716-6 Master e-book ISBNTo the wonderful musics and musicians in this book, and to thewonderful scholars who came to know them.CONTENTSIntroduction xiAcknowledgments xiiiParti Music in the United States: Historical and CulturalContexts 11 A Social-Historical Approach to Music in theUnited States 3Ellen Koskoff2 Institutions and Processes Affecting Musicin the United States 23Barry Bergey, Anthony Seeger, David Sanjek, Charlotte J. Frishie,Kai Fikentscher, and Robert FinkSnapshot 2.1Snapshot 2.2:Snapshot 2.3:A Navajo Medicine Bundle Is Repatriated 26Disco and House Music 41Marketing Classical Music 50Social and Musical IdentitiesAdelaida Reyes, Ann Dhu McLucas, Ronald Radano,Susan C. Cook, Terry E. Miller, Tamara Livingston,Portia K. Maultshy, Susan Fast, and Jennifer RycengaSnapshot 3.1Snapshot 3.2:Snapshot 3.3:Snapshot 3.4:RevivalsFunkLed Zeppelin and the Constructionof MasculinityThe Influence of Asian Religious Ideason American Music68754 Musical and Social InteractionsJames R. Cowdery, Victoria Lindsay Levine, Judith A.
Gray,Beverley Diamond, Barbara Benary, Jody Diamond,Amy Ku'uleleialoha Stillman, and Steven CorneliusSnapshot 4.1: Afro-Cuban Sacred Music in theUnited StatesSnapshot 4.2: Musical Interactions Among AmericanIndian Peoples 112Snapshot 4.3: Indonesian Music and the AmericanComposer 122Snapshot 4.4: Hawaiian Music Outside Hawai'i 128Part II A Sampler of Music Cultures in the United States 1 375 American Indian Musical Cultures 139Charlotte Heth, Victoria Lindsay-Levine, and Erik D. GoodingSnapshot 5.1: Lakota Music 145Snapshot 5:2: Music of the Northeast Indians 1536 European American Musical Cultures 161Carl Rahkonen, Christopher Goertzen,Jennifer C Post, and Mark LevySnapshot 6.1: British Ballads in the United States 166Snapshot 6.2: German Music in the United States 1747 African American Musical Cultures 185Portia K.
Maultsby, Mellonee V. Burnim, Dena J. Epstein,Susan Oehler, Jacqueline Cogdell Dje Dje, David Evans,and Thomas PaisSnapshot 7.1: African American Cries, Calls, and Hollers 192Snapshot 7.2: Musical Theater 2168 Latin American Musical Cultures 243Daniel Sheehy, Steven Loza, Jose R.
Reyna,and Steven CorneliusSnapshot 8.1: Conjunto Music 249Snapshot 8.2: Afro-Cuban Popular Musics 2629 Asian American Musics 273Terry E. Miller, Susan M. Asai, and Anne K. RasmussenSnapshot 9.1: Japanese Music in America 275Snapshot 9.2: Middle Eastern Musics 287Part III Global Musics in the United States 30310 Contemporary Concert Musics 305William Reams, Rob Haskins, Steven Loza,Josephine R. Wright, and Ingrid MonsonSnapshot 10.1: Latin American Music in Mid-Century LosAngeles 308Snapshot 10.2: Electronic Music in theTwentieth Century 312viiiContentsSnapshot 10.3: African American Concert Musicin the Twentieth Century 31811 Popular Musics 341Charles K. Wolfe, Rob Bowman, Sara Nicholson,Dawn M. Norfleet, and Jeremy WallachSnapshot 11.1: Country Music 341Snapshot 1 1.2: Rock and Roll and Rock Music 348Snapshot 11.3: Hip-Hop and Rap 360Snapshot 11.4: World Beat 370Bibliography 379Index 403ContentsixINTRODUCTIONMusic Cultures in the United States presents a picture of the richly variedand intricate tapestry of musical traditions now existing in theUnited States, reflecting the interactive nature of musical culturesand the variety of ways in which music is actually experienced in apluralistic society.
Based on Volume 3 of the Garland Encyclopedia ofWorld Music (Routledge 2000), Music Cultures in the United States is anupdated and redesigned text for use in the classroom or by anyonewith a general interest in American music and its social and culturalcontexts.HOW T HIS BOOK IS ORGANIZEDThe volume is organized in three large sections: Part I, 'Music in theUnited States: Historical, Social, and Cultural Contexts' (Chapters1-4), presents four chapters, each of which discusses an overarchingissue affecting music, its creation, performance, reception, and dis-semination throughout the country.